This film is a terrible way to spend ninety minutes in the sense that, by choosing to watch the movie, you’re signing up for an hour-and-a-half of a relentless anxiety attack. An anxiety attack that is expertly shot, paced, and edited, but an anxiety attack nonetheless.

There are some things we must learn to live with, to find a means of existing in spite of things that hurt us. Such is the story of In Flames.

Simultaneously a love letter and a critique of the artform we all love, I Like Movies is for anyone who’s ever lost themselves in the silver screen.

Good Bad Things is a warm hug of a movie, the kind you’d seek out when you’re home sick from school.

Complemented by gorgeous cinematography, African Giants is an ode to brotherly love and a reminder that we are capable of growing up.

Sexual Healing is a celebration of the humanity that connects us and our deep-seated desire to be wanted in the purest sense of the word.

More wholly original works need to make their way into theaters to give people the ineffable feeling of seeing magic on the biggest, loudest screen possible. Monkey Man will not be forgotten.

This is the debut feature of Bell and Allen, and if it’s any indication of what’s to come, their names should become household knowledge for horror fans.

Femme is a gnarly, thorny return to the world of film noir by addressing topics that are pressingly contemporary.

By the end of Extremely Unique Dynamic, the audience will have two new best friends, making it even harder to say goodbye as the credits roll.

Riddle of Fire is audacious, vibrant, and alive. Even if it gets a little lost in the forest, the journey and the friends made along the way sure are worth it.

Love Lies Bleeding is a queer film made for a queer audience that harkens back to the days of lesbian pulp fiction with a neo-noir, neon edge, complete with an ’80s synth soundtrack.

The film is stunning, with an astounding amount of depth for a mere 95 minutes. Yuni is the sort of emotional gut punch that cinema does best.

How I Learned to Fly reminds us that humans aren’t meant to go it alone. That the easiest thing a person can do is to offer help and the bravest thing a person can do is accept that help.

Even with its structural issues, it would be wrong to fully turn on the artistic feat that The Peasants has brought to the silver screen.

The film is so easy to sink into, but it’s missing the heartiness that could make The Taste of Things ultimately fulfilling.

Jellyfish and Lobster is for our friends, families, and loved ones who are no longer here. It’s also for those of us who are still here. A reminder that we are filled to the brim with life, and that one day it will all be over.

Ghostwritten is a Faustian horror story about the lengths a human will go to in order to be remembered.

Tonally, Argylle cannot find its groove. It falters as it desperately tries to one-up itself with a new twist every few minutes. This is not a plea for simplicity, but to streamline the plot so that Argylle could have been wackier, stranger, and goofier.

Mad Props is a loving ode to the things that bring us together and spark childlike joy within us.